Cinema Style File--Doris Day Dons Norman Norell in 1962's THAT TOUCH OF MINK

One of the missions of GlamAmor is to bring attention to the amount of cross over that exists between costume design in film and fashion. Since the days of Old Hollywood, inspiration has most often come from the movies to influence a trend in mainstream fashion. An example of this would be Adrian's bias-cut gowns for Jean Harlow in the 1930s (not to mention her platinum blonde hair). Some designs were such a hit that stores would simply copy costumes from the movies. Such was the case with Helen Rose's designs for Elizabeth Taylor in Cat on a Hot Tin Roof and BUtterfield 8 - both led to their iconic dresses being duplicated in the stores so that all women could wear them.

Sometimes, though, fashion designers were drawn to the film industry. Examples include Hubert de Givenchy's designs for Audrey Hepburn in Breakfast at Tiffany's or Pierre Balmain's designs for Brigitte Bardot in ...And God Created Woman. And here in That Touch of Mink, we have American designer Norman Norell creating the wardrobe for Doris Day.

Norell was a gifted designer of the highest order. His career stretched from the 1920s to the 1970s and was central to the evolution of American fashion. Known for his glamour, he studied fashion design at Parsons School of Design and then segued into creating costumes for silent film stars like Gloria Swanson and Valentino at Paramount's studios in New York. He also designed for the Ziegfeld Follies and stage shows at the Cotton Club. In 1928, he began at the the prestigious Hattie Carnegie couturier. For over a decade, he would work alongside other designers who would also work in film, such as Jean Louis and Pauline Trigère. And afterward, like many others, Norell started his own fashion line. He was a visionary - his 1946 collection, with its longer skirts and nipped in waists, pre-dated the "New Look" from Christian Dior that caused a seismic shift in both fashion and film the following year.  

Known for the quality of his construction, Norell would create collections that rivaled French couturiers. When he passed away in 1972, headlines pronounced that he had "made 7th Avenue the Rival of Paris." For these reasons, his dresses are still highly valued and quite fashionable today. In fact, First Lady Michelle Obama wore vintage Norell to one of the White House Christmas parties. Clearly she appreciated the timelessness of his designs, which is what made him such a perfect fit for Doris Day in That Touch of Mink.

Though this movie boasts both Doris and Cary Grant - both style icons - I watch Mink for Norman Norell. I would have loved to see a bit more color in the costumes overall, but Doris' slinky black gown and the movie's fashion show, including one of Norell's famous sequined mermaid gowns, more than make up for it. Also one can enjoy the delicious details in his designs, like leather and fur, throughout. It's just that perfect touch, of course. 

Movie starts with Philip Shayne (Cary Grant) making a real splash with Cathy Timberlake (Doris Day)

Recovering from the Rolls Royce run in, Cathy heads to the unemployment office 

and lunch in her black leather-trimmed cream coat and leather gloves

Angry, Cathy tells her friend (Audrey Meadows) about her morning and 

then decides to head to Philip's office to give him a piece of her mind

One look at Cary Grant would make any woman forget her troubles

and Doris Day's expression proves she is no exception

Cathy finds herself agreeing to a date that instant with Philip

A cream belted boatneck sheath dress is under Cathy's matching neck-tie jacket

Cathy gets a proposal, but not quite the one she wants -

an invitation to Bermuda for a little fun in the sun

 Cathy originally chooses a black longsleeve fit and flare dress with peter pan collar for Bermuda -

that is, until a personal shopper from Bergdorf Goodman whisks her away for a private fashion show

Let the Norman Norell fashion show begin...

One of my favorites is a black column with fur-trimmed stole and gloves

Quintessential Norell and a dream dress or me -

an emerald sequined mermaid gown with a plunging back

More quintessential Norell - a mink lined silk coat

Cathy nearly cries with joy seeing the coat 

and chooses a cream version as her own for her trip

PanAm flight from New York to Bermuda

Philip buys out the entire flight just for Cathy

Mink coat + Bermuda + Cary Grant = Heaven

Taking Cathy to their room

Unmarried Cathy starts to be paranoid that everyone knows what they're up to

Doris in my favorite dress of the movie - look at that back!

Virginal Cathy gets more than a little over anxious at Philip's expectations

So much for romance

Cathy books a flight back to Bermuda, and calls Philip to try again

while drinking a little (too much) liquid courage

Now the scheming begins to get Philip as more than just a lover -

pretending to go off with another man

Philip finally catches up with Cathy in her cute red suit (and butterfly brooch)

Now married, Philip reacts to the good news from the doctor

Of course the family lives happily ever after